After I make the initial story then I have to start redesigning Klaus, the sets, and the overall look of the piece. I started with Klaus. Since my original designs were only really fit for making shadow puppets I experimented with shapes and angles. I stayed with the same body shape, but experimented with expressions and shape of the face.
Next I worked on the sets and ideas for what they would look like. Some I realized more by painting them and some were created through the storyboards. They were roughly made and used for reference for the final piece.
Finally I worked on the most important aspect of this work, the clocks. The evolution of the clocks through the animation is pivotal. I spent extra time realizing these clocks and their progression. Through this process I found a medium I was excited to work with in this animation. I am creating the animation with cut paper painted with gouache.
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